Wednesday, 17 November 2010

Poster Development

This is the setting for our film poster. We used Golders Green as the setting as it was just the right framing we had imagined and had been looking for. The use of the bench and sign behind it can create good indication of our film to do with commuting and 'day by day' routine of the "lovers". In this specific capture we also had the tube in the background which gave a great effect of being on a London tube platform. We also chose this setting as the platform was outside, so the light was good and there was plenty of space to get any angle we wanted for the poster.
This was the first shot to find positioning before we placed the actors into the frame.








Monday, 15 November 2010

Production Shots

1. 2. 3.
4. 5. 6.


1. This is the setting for our 'WORK PLACE', we placed our protagonists in the lift to connote a working environment. The lift is in our school, but we managed to ensure that nothing related to school was shown. We used shots within the lift too, such as over the shoulder shots and within the mirror shots.

2. This is coffee place shot, where the WOMAN and the MAN go to pick up their coffee in the morning. The rural setting is effective to connote the London setting of our short film.

3. This is another view of the coffee place.

4. This is me (Louise) putting up the tri-pod ready for shooting, I help with frame positioning, and some shots when I am not acting in the film, I have also taken all these production shots...

5. This is Deema holding the camera taking shots of the coffee place scene.

Tuesday, 9 November 2010

Research and Planning: Mock Poster




Within my group; Deema and I put our poster prototype ideas together and came up with our mock poster, the images are still taken from the internet, but this is the basis of what our poster will look like when we have the real production images of the characters.






<--- this is the first poster that was deconstructed, the use of the tube station and platform is affective to connect to the use of the tube in our short film. Once showing it to our class and teacher at school we got lots of feedback. The use of the title being in the tube sign lets it stand out. The only problem that was brought up was the tag line 'life never waits' is seen almost like the title which could be confusing to an audience as to what the title may be.



The billing block was also found on the internet, the use of the layout and postioning portrays a real film poster along with the certificate of the film.














---> this is the second mock poster, this is the same image but we put the actual picture in black and white, with a sepia style sky, but kept the tube sign and title in colour to make it stand out on the page to ensure that it is the actual title and should not be mistaken with the tag line.








When showing it to Michael Leedham a 2D designer he commented that spacing was good and the image was exciting and attractive. He gave constructive critisim such as we needed a certification and our tagline should stand out more. Apart from we didn't want it to stand out too much as it could easily be confused with the title.
He said we should add a quote from a critic or magazine to fit more into the conventions of a real media model.











Monday, 8 November 2010

Research and Planning: Shooting Schedule and Call list


Shots

Date

/time

Day/

night

Location

EXT/

INT

Crew

Cast

Costume/props

11,12

29

28/10/10

10:30

Day

Louise's

House/ bedroom

INT

D.K

L.A

L.A

Bed, alarm clock, pyjamas

3,12

28/10/

10

Day

Louise's house/bathroom

INT

D.K

L.A

L.A

Towel, pyjamas

4,5,6, 21

28/10/10

Day

Louise's house/ hallway

INT

D.K

L.A

L.A

Work clothes/ warm coat, work bag

7,13,

14

28/10/10

Day

Louise's road

EXT

D.K

L.A

L.A

Work clothes/ warm coat, work bag

30,31

28/10/10

Day

Louise's house/ bedroom

INT

D.K

L.A

L.A

Summer dress, make up, mirror, work bag

32,2

28/10/10

Day

Louise's road

EXT

D.K

L.A

L.A

Summer dress, work bag

22,23

28/10/10

14:30

Day

Deema's house/ bedroom

INT

L.A

D.K

M.O

Work clothes, scarf, warm coat, umbrella, briefcase

15

28/10/10

Day

Deema's road

EXT

L.A

D.K

M.O

Summer clothes, briefcase

26

05/11/

10

Day

School

EXT

D.K

L.A

L.A

4 e

xtras

Work clothes,

27,28

05/11/

10

Day

School/ lift

INT

D.K

L.A

L.A

M.O

Work clothes,

37,38

05/11/

10

Day

School/ lift

INT

D.K

L.A

L.A

M.O

Summer clothes, white paper.

39,40

06/11/

10

Day

Cafe

INT

D.K

L.A

L.A

Purse, food, piece paper

25

06/11/10

Day

Coffee stall

EXT

D.K

L.A

M.O

D.K

Winter clothes, coffee cups

34,35

06/11/10

Day

Coffee stall

EXT

D.K

LA.

L.A

D.K

Coffee cups

41,42, 43

06/11/10

Day

Southbank

EXT

D.K

L.A

L.A

M.O

Wrist watch, summer clothes, piece of paper

1,24

12/11/10

Day

Tube platform

INT

D.K

L.A

L.A


8,9

12/11/10

Day

Tube carriage

INT

D.K

L.A

L.A

Work clothes

16,17,

18,19

12/11/10

Day

Tube carriage

INT

D.K

L.A

L.A

M.O

Make up, book, briefcase, newspaper, work clothes

33

12/11/10

Day

Tube carriage

INT

D.K

L.A

M.O

L.A

Work clothes



D.K - Deema Khafaji - 07983498745

L.A – Louise Adams - 07866425375

M.O – Milo O'halloran - 07970420576

INT – internal

EXT – external

(these numbers are fake by the way, due to the access of the whole world via the internet)

Wednesday, 3 November 2010

Permission continued.




To see all the info on the pictures, click view all images, then full screen photos, and you can read the info, an examples I have given.

Research and Planning: Permission




For our short film we are using shots of the tube, to do this we had to contact TFL and find permission. Once on TFL website, we went to the LU film office where Leon Goswell from Commercial Operations got back to us. We applied for a student/low-budget filming permit which is £35 and emailed Leon our schools public liability insurance that we recieved from our school Bursar; Nigel.


Research and Planning: Location shots

Click on link to see full shot list:
Short Film Shot List

Monday, 1 November 2010

Research and Planning: Shooting

Shooting, equipment, health & safety, script and story board.
The Equipment we are using to shoot our short film is a small HD camera with a tripod. We will only be using light that is in the locations and natural light, to make an effective real-life atmosphere, we also do not need to worry about microphones as there is no dialogue and the whole film is taken up by an over the top soundtrack, so no sound from the actual shooting is heard at all.
While out and about filming, we have to think about the organisation of the equipment, we have camera bags to protect the expensive camera from rain, or any other weather conditions that might damage it, but this is also to prevent the risk of theft as it will be on the person who is filming at all times.
A key aspect of filming is to ensure that our camera has battery and we are filming on the right format for future editing. The camera will be charged at regular intervals to ensure that we get continuity and dont miss out on anything if the camera were to run out of battery. This will be hardest when filming on the tube, do to lack of time and place to recharge, so we will have to ensure to do it quickly and afficiently.
Other equipment that is important is that of costume and props, this is also important to look after and not loose. In our short film we will be using lots of different costumes throughout to represent different times of the year and day, which will be on the actors all the time. Props consist of work bags, umbrellas, coats, scarfs, newspapers, books and coffee cups, which are normal things that will be used with care and safety and not affect the public around us.
For us, especially, we have a huge strain on us for pemission to film on the tube, we contacted the TFL and enquired about this. The rest of our short film is done in our own homes or on the street of london, where will we ensure all of the above health & safety regulations.
The script and story-board was layed out and constructed before to give us a clear idea of what we were shooting and to put together our story. The shooting schedule, shot list and call sheet are equally important to ensure that we keep to our time managment and get the film done quickly and on-point. We have constructed all these. (see below)